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it is me mos lihely thin in the orta that suci a
person ould be there. The comes the obbler, traight rom his tali, Where, a frona a throne, he dispenses hic thinh.' an a stron thin it is, o ali comers, po alisubjecis. He has opinions of his own bout most
things, but hieti upon civit, ecclesiasticat, an marites jurisdiction, this power of law in him. eis enjoining submissio an composure pon ali On-l hers. His hands ho the s a. the ne to thebailiri deserentiat, confidentiat, genti deprecatory; the oster, to the Compan in generat, imperative, final, minatory. He is vindicatin the law, and layin i dom omeWhat unseason in an is evenhinting that the should rejoice at iis arrangements. That brave old Woman inspired by anger, is bearingdo pon both cobbter an ballissi illi occasional laris os her furious ye at the unconscious cierk. This oman's ac is expressive beyon ali descrip
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assure theni he has sueti them This is the Og,-
ing expresse it, is his god an is the god of the dog.' How much may e leam Dom his With that fine instinct compounde os curiosity, experience an assection, he has made his observations o the state of thing l Al is no right he
sa her ook iti that way, o hi so quiet anil strange Accordinglyinas e is eminenti practical, and olds illimum an many great men that allwe now of causation is ne thin following uponanother bein a dog an no a philosopher, hepaystino attention to the qualification invariably'ὶ, alid puttingi orithing together, e find this dis mal, nintelligibi state of matters ollowing ponthe entrance of these three strange men He hasbeen dolia diligence and se in an executingiuarranis, in his omisit an vigorous Way, ponthei si legs- specialty doub not upo the
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The Maid of Saragossa' et iis thelhero os thepicture and abovea est, the litile, et do in the Oni Daughter'-it speahing, implorin WayS, asi looks t it dyin mistress. What a Non dersulari We canno leave this inestimabie picture, without expressing our persona gratitude to cur public-spirited Academ sor furnishin us every ear
year. The elevate public seeling the tend like ali productions of hii and pure genius, O thegior o God, and the good of mankind the area par of the common ealth Ue en oti notice of this pictum by bidding our reader return to it, and reta it ver Ud ver through and through. Let them observe iis mora essec noto makethe in and ita execution atessi or unsightly orvice or improvidenc interestin or picturesque. ilhi takes no side but stat of our Common nature,
a some melo- dramati genius might hau done. Let them remar the stilines of the great sufferet Siani ho you know What the have come throughthe consummate art in arraning the paris of the
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Mindi must be exercised pon it to bring ut iis minit. The white tablewloth leadin the eye atonce to the ear of the picture the table dividing the tW groups, an preventin iis ein a roKd; the figure of the ather ove entire, indicatin his tota dejectio stom ea to mot,-his hands, his
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I has long been a question in the ethic os fiction πhether synapath With i lea sorrowsae beneficia ormischievous That it is leasurabie we ali no . Anil a distinctior has been made e een pityrus an
emotio en ling,ith it o vn gratification, an diit asa motive a moring OWer, passing by a necessit ofit nature, into actio and practical performance.
you n a meret human stor more salutary, more delighilal, more appropriate, to every one o our intellectual, moral, and let us adit, our imaginative and
aesthetica lacuities lWe are incline to an Hogarili and Wilhi a themost thoughtsul os ritisti ainters, and w of the
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mirili, but deficient in knowle e of the liuinan figure, and in academica skill and as havin fallen hortis the requirements of high art.'We thought Charies Lamb had dispose of hisuntruth long ago an so e did. ut some follis don' know Charies Lamb, and we hall, for their salies, ove them a practica illustrationis his meam ing, and of ours. IDHogari dii notanow the nahed human figures and w den that he di notin heane the human face and the naked human hean helnewwhat os infinite good and evit, o and solaeow life and death, procee lediuti it Loo a the seconditast
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other ining besides augiiter an he rises illi the
chooses L oh a Johia nox's ea in 'The Ad ministering the Sacrament in Calde House. Nastheisy of faith eve so expressed, the eeing thingsthat are invisibie lHogarth was more hin to Michael Angelo theyboth solande the fame depilis and walhed the fame terribie road Wilhie has more of Raphael, his affectionalem einess, his leasaniness, his grouping, his love of the beautilat.
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1 and heep true fame. He ad a vigorous and quic understanding, invincibi diligence, a firm Will, and that Combination, in action, o our intellectual, moral, an physica natures, hic ali achnowledge, but cannot easti desine manlineSS. As an artist he had true genius that incommunicabie ost, hichris bor an dies With iis possessor, neve again to reappear illi the fame mage and superscription The directionis his acuit in imWas toWard beaut os colour and form,-it tendencywas objective rather than subjective the utinardwori camerio sim, an he note with singula vigilance an truth ali ita phenomena. His perceptiono them Was immediate intense, and exact, an hecould reproducia theia o his canuas vitii astonishingdexterit and aithsulness. This made his helches stom natur quite stariling, Domithei direct triath. There are divo of them in r. Hay' gallery, ne agiri Withaerionne on sittinganittin a amighlandfireside the ther, a quaint id vacant room in George Heriot' Hospitat. But his gloJ, his peculiari excellence, as his