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him, and speciali foret ode the erit resulis os in Gild's lauilliter i 5 -5y biat Agamemnon, in spite os ali did the deed, and incurret thecurse Zeus is above alI, and has ordaineae that manuhaia ondide Iaightb et ring καὶ τόθ', applicatio of the genera reflections to the
whicli flowed ut past Amphipolis. The N. E. ivind would har heir passage ut of the strat at Aulis. Notice the piling up of adjectives
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dγάλμaτος κάλλιστα, b. 8 7 ως γραφευς ἀποσταθεις ἰδοῖ με. M. Ran. 53 γεγραμμιένθν εἰκών ἐστῶναι. So Eur Hipp. Ioo9, Troad 682. Aboiit fist years aster his play vas acte a celebrate painter a Sthyon, namen Timanthes, ainte this ver scene, an Agamemnon tandingby victa his face vened Pliny, 35. Io . In the nauseum a Napies there is a fiesco of this subaeci, talcen froni alie holis of the Tragic
ἐπιρρέπει τὸ μέλλον επει γένοιν ἁ κλυοις, προχαιρέτω.
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offence to the zods the woe of the dea might yet walce, i Siadde ills
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malce good ense, an inere is no reason to read εναμπλάκητος. Thelast porcis contain a dotibicensen e to in chorus inermean, the ariny
Maemnestra mes in and the choras ring the instarimon.
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L-tix καθαιρεῖ. c. ὁ θεός, easti underStood rom υτι θεων. l. t. the well-known passage in Hor Sat. I. I. I, Qui fit Maecenas ut nemo contentiis vivat, laudet diversa sequentes' i. e. omnes laudent.1 ao The di of hield an spea an nava armaments dici.
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l. 43o. τλησικάρδιos, suffering. by a bold transference applied notio in afflicte man, butrio ille asilicum Peinap τηξικάρδιος Αur. I. 435. Notice the heaut istiI effect in inis pathetic lineis in implied antithesis to ἰδεv instea of the familia an Iove face comes bacuc
457. Os a public cui se it pay the sit, '. e. P