The Eumenides;

233쪽

μηνιν άειδε θεά, μηνιν ε ειδε θεα,

anaerimis, frochai dipodia, oesyl, tro ais dipodia cataleetis Thesthirillino tu tho leui stanga is omnest i an aerusis and wo troehai diapodias It was neu quite absurdi made ut orae iambis. Tho elos relatio belW00 th hendecasyllabie leui lino, iustuabove, and the minor Sapphic has been long observed ii the ni bet alien rom rides an diu uiter eandidum there appear a dactyliet Neent No trochai dipodias jam satis terr Is nivisci atque dirae, whieli, illi it prope modulati0n by aesura, is the minor Sapphic

te deos ori 6 sybarin cur prope cie amando.

maee nas atavis radit i regibus. The major Asclepiad infert two horiambi: tu ne i quaesieris i seu nefas i quem mih quem tibi.

235쪽

unde si aes eae proh bent iniquae flumen et rei nutu peri tam Laedui,

vici des ut a lici stet nive canitidum nec prata canis i albicant pratinas

diaeresis deur alter illa ' an eanis', and the essest is to mali astight rea or motrica paus in the verse. Some metres requirecae8ura, Ome diaereδis, io thei propor modulation. The ausus in the sensu are indieate by tho sua maias o punctuation a goodp0et Will alwaysalve an agrestabi variet to thei position. Milton' sversos are the est mode in his important multor Addison seemst havo been the firstrio detetit this materiai causemi the charm of the versos in Paradis Lost: he constanti vario paus in the ense. Tho eginning o verses hie occur ne iter another, ullis the Lorae, in fame metre, κατὰ στίχον, Sueli a the aetFlle Hexameter, Iambie χαρὰ ri ibi Trimeter Trochai Tetram uter require no emarc there is a certain number o the eet admitte by that metro, illi modulation tu the

236쪽

whichahe . . . . . .

o pause af

clefinition f

237쪽

ilio motrical

γ δ stroprie,

238쪽

The Tragi chorus is suid o have beeu quare, τετράγωνος, and theeomi κύκλιος Ο κυκλικος. his must olor to the figure deseribed

239쪽

0X MEIRES.

sum a saying that thei verses are rhythmicat, o metrices.

Thero re long and shor syllabitis in Englisti ut it cannot bosuid that therocis motre, in tho triet 0nse, hon it is tho habit i

i. e. the troiaee.

Rhyme ryme, rime is onus to si alis a modern rhythm, an to venderies necessat to the reade that coaehing in the rhythms by the poeti dramulicruauager, hiel mus have been ludispensabie for a Gree o Latin player.

240쪽

ON METRES.