Aeneidos liber septimus. Edited by L.D. Wainwright

21쪽

INTRODUCTION

quin et latii vetorum ostigie t ex ordine avorum l. 77 .

22쪽

SPOndat encling, i. e. spondest in both the two last se et, is rare in Vergil, although omni on in Greel and in Catullus. In his eas the foui th fost is generat ly

iam quo tor motis tui ros ac tecta Latinorum ni dua . . . f. d. 6O-I .

23쪽

INTRODUCTION II

quadrupedant putrem Sonitu quatit ungula campum,

a line in hieli the hurrvinidae tyis represent the gallo 9-

ingrate edes, und Bolli serratos rumpit Saturnia OStos' l. 622 ,

'captivi pondent currus, Curvaeque Se UreSet crista capitum, et ortarum ingentia et nuStra, Spiculaque clipeique ereptaque OStra cariniS ll. 184 6 uand nure percussum Virga VerSumque VeneritS' l. 9 .

Th translator of Vergit have been O numerous thatit is impossibi heresi do more than mention the most Drominent, and to give brie extrastis of their ork. The mos fam0us translation, both hom it author'si an a a poet an homoti rea merit of the work is that f olin Dryden It is true that the translatorallowed imself to de pari re ely Ierhaps too reely -

24쪽

lio in the original, and that he version ut linies ni actis

Another translation in the fame metro a the work os

25쪽

INTRODUCTION 3

An Phrygia' hato bridat odo Λn Ahal a Dardan fugitive, saltior, illi Lavinia ira

26쪽

line os Latin This remari able version, of hos en- clurin popularit it is et to early to penti, is a boveat thing the work of a true poet, an combines scholarshipoliti 1300tic spirit. Is it has a lauit it is that he long somewhat heau line, and the translator's love for employ in are huic nil candi navi an diction, hardi represent appily the vera, stat et fio os hst Vergilia hexameter Severa quotations ill e found

27쪽

P. VERGILI MARONIS AENEIDOS

LIBER SEPTIMUS

Tu quoquo litoribus nostris, Onoia nutriX, aeternam morion famam, Caiota, odisti: ot nunc sorvat honos Sodom tuus, OSSaque nomen Hospori in magna, Si qua ost a gloria, Signat. at pius Oxsoquiis Aon a rite Olutis. aggere compoSit tumuli, postquam alta quioriantasquora, tondit tor votis, portumquo rolinquit. adspirant aura in noctona, nec candida urSUS Luna nogat, plondst romulo sub lumino pontus. proxima Circa a radiantur litora terrase, Io

divos inacccsso ubi Solis filia lucos

adsiduo rosonat cantu, octisquo Superbis urit odoratam nocturna in lumina eodrum. arguto tonuo porcurrens poetino solaS. hinc Oxaudiri gomitus irasquo sonum 5 vinela secusantum si Sora sub noet rudonium, Saetigerique Su0S, atque in raosopibus ursi

28쪽

Saoviro, ne forma magnorum Ulular ita Porum,

quos hominum o facio don nova potontibus ii orbis induorat Circo in vultu ne Orga ferarum. 2o qua ne monstra piliatorentur talia Troos dolati in portus, nou litora dira subtroiit, Noptunus volatis implovit Vola Soeundis,atquo fugam sedit otii actor vada forvida VoXit.

iamquo ruboseobat radiis maro, set nothoro ab alto 45 Aurora in roso is fulgobat luto bigis :

29쪽

eum Venti POSuoro, omniSquo operato pessedit satus, o in lonio luetantur marmore OnSne. atquo hic Aonoa ingontomis aequore tu eum prospieit hunc inior fluvio Tiborinus amoeno Ioverticibus rapidis ot multa flavus harona in mare Prorumpit, Varia Circumque UΡΓaqUe ad Suota ripi Volatero si fluminis alvooaothora muleobant cantu lueoque obibant.

Nunc age, qui reges, Erato, quae tem Pora rerum, quis Latio antiquo suo rit Statu S, ad Vona hi SSem eum primum Ausoniis Xorcitu ni,pulit OriS, Oxpediam, set prima rovocabo Xordia pugnae o

30쪽

P. VERGILL MARONIS tu vatoin tu, diva, mono. dicam horrida bolla

diea in auios actoSque animi in funera rogos, Tyrrhonamque manum, totamque Sub arma coactam HeS90riam. maior rerum mihi naScitur ordo, maius OpuS OVeo.

iam Sonior longa lacidas in neo rogebat. hunc Fauno, nympha gonitum Lauronio Marica