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ciose the scene; around an above are the evertast-
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-the happiest years of his life he had just comesrom gypt havin been hunte acros the editer
This picture a conceived by Delaroche ast ear, on the spol here the scene is laid, and painte very SOon aster. He Was a Nice sor his ealth, and adsor his guide up the St. Bemard the soni me manteamn the mule, ii tot his many things bout Napoleon, an ho h looked. As regard Colour,it is the est os Delaroche' pictures e have Seen it is a curious stud to mar lio litile, an howmuch, the oung, hin, spirituat ac differs froni that
in directing ou thoughis to suci a spectacle of mere human greatness, at this Chrisimas sacre time. So much misclites crime, an miserri and yet Somuch power, intelligence, progress, and i a certain
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i , I this picture in an degre fulsi iis object ii W are impresse anil movet by it, then it is not
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malter sors ords, it partakes of the unspeahablones of iis subjeci. Is it sali hortis his it satis ulterly, and is not orth an word but hos os displeasum, sor nothin is more orthless, Othingis more trul profane, and emthings are more Ommon than the attempto represent sacre ideas by man who is himself profane, an incapable os impressing thers. For it is a unseemly, and in the me Sense a profane, sor a patiate to patiat suci subjecis fae do noti lae them, as it is for aman is premi thei eat trullis of our mos holysaith, ein himself an unbeliever, or at thel est a Gallio in both cases orkin meret for esseCt, o tobring in ageS. This picture is not able to any such rebuhe. Whateve may b thoiight of iis centra ide ind
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The lautis of the picture a a Work of ar are, liheliis viriues, thos os iis school- imitation is somelimes istahen sor representation here is a
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an night incessantly How your ear no illis,as et a mur eyes How ou realiae the ideat What a sacre significance itigives to the place, an receives rom it What thought it wahens Saul an his miserable sto , David an his lamentation, me mountains o Gilboa, the street of Ashelon. The in os east stinhing 1 oncemore, ungry, angry, and astalii findin her stillthere. The arte sileaves, indicatin by a ouchos Wonde ut genius that it is eare the eginning than the en os heroinae, so that e project ursympath lamar upon the future monilis. Noone ut a great artis Woul hau thought of this. And that unlailing, sorio Woman wha love That oni love which He whos nam an naturei has honoured by admittin to berine est thoughat an infinite distanc sto His Cana woman orget ' - Vea, sh may larget. Hereb ehave a scene in itfel impressive, an truthfuli rendered, enriched, and sanctified by a subjectis the
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hi est dignity, and deepes tendemess, an in per feci harmon Witia it. blan may say- brin out much that is no init This may be parti true, an is rathe to that
extent an enhancement of iis orth. But the realtruth is that there is ali his in it, is it be bulsough sor an received in simplicit an reverence. The materiat for imagination are theteri let thespectator apprehen them in the like spirit, an heruill seel est, an more than we have described. Let man re to bring anything ut of some of the any landscapes e se inmur Exhibitions andi may bestron and illing, but it ill prove to his sor
ma o ma um ita Deo, optimo, Maximo, maximum, stimum, divinum.