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Christian palating. The - cophagi os Helena and Constantine, themother and daughter of Conatantine, are perfectly clamical in characteri me Vine and min malang Which are represented on the lauer recali ille earlieat malilaintinga. Such o ecta lend themselves retulij to a Christian inte pretation While they are not distinctive', Christian. In other inaea classicia imagery is found lo Which a
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magnificenco indeta designed, it me may belleus him, to attrincipamera by and lead them in enter the sacred precincta'. Tho church of Paulinus vim a genuino expression of Christian constan
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Sos Dr Bahinnon'a article in D. C. λ
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Somo othar mina os Christian orn- perora dessos mention as illustratingino symbolisin os Christian Art. Most conspicuous among thego is the smati third bram ' eoin ol Constantine, Maring on tho reverae the Woriis spes
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Early Coeristian Ait is convontiona This is triae both as to tho
modollod on uis type os that soland in repreaentationa os Andromeda
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difficult to summi tho thought of the cor respondenoe botmeen sissement stagen in the fuissiment of tho divino v id, of the inner memingos ordinary eventa, of tho WV in Whicla thinν are Aet ono overaminat anotiior.' The offering of Isaac indicated as Inuch aa thoearly bellover thought could be infely in sicate i, in a direct representation, of tho Lorii's P sion. The delivorance of Noah smin and by the Watem - an eloquent symbol os salvation in tho in in through mater.' The laur rivera os Paradiso suggested thoughis of the streama os gram flo ving to tho Church thmura tho Gospes andine Goapolae rio domestio sinat, and the se ing of tho multitudeacialed up recolloctions of the provision vhich tho GH had inado indatili continues in insilio for tho materiai and Epiritual ausinnance of His Moplo. Above ali ino familiar figure os the Good Shophori brought together the imagory of the old Τ tament and tho inperi- ence of datly lite, and in nouae degreo perhaps symbolic somna ofancient axi . In one su ect at linat the imagination of the oldmorid allowed ita fuit right. The win os Orpheus Oxpremedurith sam aching pathos tho Mith of man in a reatorin oriter o creation; and the Christian artist gladiy acceptod tho pictured parabis of which his Mith gave tho meaning. Tha sym. The reality of this symbolic Inoaning is placod Myonil ali quem sisti.' tion by the direct testimony of the moniimenta themaelum. In Nomi d fovorsit insos Si Potor, the leador of the Nem Israel,' is represented Woris. undor tho figure of Μoses atrihing the roch. Not only is the figure ofΜ ea commonly ovon in the conventional type of Si Potor, but thoidentification is completed by the assisition os the name, Poter . In othor exaniplos Christ Ηhnaeis appeam M Μoaea' and again Abraham . Elae here, M When a young Christian man in thoattitude os prver occupies the place of Noah in the ais, tho lossonatauot by the experienco os the old ininta are bmught do in into actuat Eseq.
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An illustration os a different hirui is siri nialied by the sarcophagus os Bamua. on this, in tho amali retiosa v hich fili the spandrita ot
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In thia connexion tho early troatmont of tho Passion is of thodeepest interest. one of the oarlieat representations of the sula t