Collectanea; 1st-2d series

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is marhed by sigias of the sanae distinctive characteras area be observed in the adaptations of Spense in Selimus These marita and these parallel are, a Itake it, of sufficient authorit in themselves to Stablisi a common authors his for Selimus and the workthat goes unde Mario e 's nam e Fortunate ly howCVer, e have ver stron corroborative testimon in

favo uri Marlowe' claim, as I hali ho furtherin. Note o Faustus and Selimus borro hindredmateria fro in the sanae canto os penSer' poem, and o this materiai et ps to ive expreSSion to the atheisin that is ampant in both plays. The followin parti describes the appea rance OfSi Trevisan asteriis escape stoma hemiscreaunt:

In fowle reprocli os lanighthoodes sal degree, Abo ut his nec an hempe rope he weareS, That illi his glistring armes does ill agree. Book I. canto ix stanZa xxii.

The ope as ut bout Sir Trevisan's nec by the Miscreaunt, ho was using ali his iles to

tempt the night to destro himself In Faustus Edmund

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we are t imagine Mephistophilis o the Evit Angelacting similarly ith the Doctor, and with the sanae

Compare: -

When his victinas howed si gns of wavering the Miscreaunt, totara them to perdition, ould showthem

Mariowe id o belleve in eli: illi hi it as a trifle and mere old wives tale V see Dyce, p. 87. Col. I), and Faustus further alis it a table V samepage an col. . Moreover Spenser' description fili torments of the damne is remembere in thespeech of theavit Angei p. I 33, col. 2, commen cing

Now, Faustus, let hine yes illi horror stare, c.

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Compare Selimus illi Faustus as ei as illi pen-

Edmund

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Edmund

Γllisa aheae oar, that arth may echo sortii The far- refound in torments ye susta inclAs hen an her os lust Cimbria bulis Ruia mourning round abo ut the se males miss, Andritian with fur of thei sonowing, Fili ali the at with tro ubi ous bello Wing. a Tam b. IV. i. p. 63, col. I, Dyce.

Poor prince thou thoughtest in these disgui sed, eed s

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The wo id glut V ith iis varianis occurS S many times in Marlowu's ori a to constitute a Datureb itfel and a mar by hicli e can e nown. Note ho it comes in in Selimus and amburiaine, although penser oes notisse the word in the parallel passage -

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Edmund

Piti tu spectacle os sad reerimenti Piti fui spectacle os dismal death Selimus,' ll. 277-8o, and 298-6. Zeno. Die in the dea M. Tuta see, an other bloodyspectacle Ah, retched yes, the enem ies of in heari, How areae glutted, illi these grievous objecis, Andriel my oui more tales faleed in ruth Tamb., ' V. i. p. 3S, Ol. a.

Observe ho beauti fuit Spense is varied by both plays in the fossowin case, and note that the firstline of the Selimus speech repeat a different par of

o Thou most uncient grandinother of all. Book I. canto v. tanga xxii.

Butri, ill quote, and lincti the parallel in the two plays more tighil together:

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Heresis the completionis the parallel. The speechesin both play are made by a B ageth, who ha been de prived of his inpery, and who is in a state of the ut mos dejection and misery. The association is nota anc os mine it is an association deliberalelymade by the aut hor of Selimus, ho is, of OurSe, Marlowe himself But I, ill quote: -

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Edmund

Reade is os amburtia in are ni to familiar iththe spectacle si ageth locked in a age. In I amburiaine IV. iii. Dyce, P. 28, Ol. 2, the oldaia compares himself to a pilo in the haven, vie ingra strangem hi paeni in the winds and shi veredagainst the cragg rocks an die fossowsi his metapho by the registration o a vow, confirmed illi hol Ibis' name. The figure and the vo were

forro and tempestuousarie se,

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Thou god os, indes that a ignes in the eas, That a ignes also in the continent, At lastato u sonae genti gale of eage,

The which may bring my hip ere ita rent, Unto the gladsonae pori os her intent Then, he Iciliat myselfe in aset see, table for ternali moniment of th great grace andi great leopardee, Grea Neptune, I vow o hallo tanto thee

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Edmund

A resties pilo so the charge uniit. But ut alas, the god that illes the eas, Alid an alone this agita tempest stent, Will neve bio a genti gale of ease, But suffer my oor esset toae rent. Selimus, ' ll. 76I-8O.

Dyce noti ced the repetition by Marlow of one of the stan Zas that Iciliat adduce-the sirst ne buthe vertooked the fac that the continuation of the speech in amburia in is a re imitation of another par of he aeri Queene

Whos tende locks do tremble very one At veri litile reatli, that unde heaven is lowne. Book I. canto vii stanZa xxxii. So forti, he comes, and to her coche Oes clyme,